It took me several years to realise that I would never be satisfied with the two beds next to the drive, one overshadowed as is by the ancient hazel, and to determine to reduce them to purely classical forms. Although they contain satisfactory clumps of euphorbia wulfenii, rosemary and lavender, they also have had rather messy 'centres' of nepeta and other 'light' plants.
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| The 'Adam' design in Bath stone |
I am increasingly drawn to classical architecture and forms, and indeed the design of the garden is based on classical geometry and its proportions. Recently I have been veering towards making the garden even more overtly classical and reducing the number of flowering plants in favour of strong architectural plants like box and yew, offset by softer forms like rosemary.
Finally, this year these beds have been cleared of all plants except the euphorbia, rosemary and lavender. Bases of old York stone topped with a stone column have been installed, bordered by sloping yew buttresses on each side. One column has been moved from the area of the box walk at tbe top of tbe garden, with its armillary sphere, while the other, an Adam design in Bath stone, has come from Haddonstone. I have a metal sphere to put on top of it, but will look for some appropriate statuary.
I now call this area the 'Florentine Garden' in memory of the kind of gardens I have seen there, particularly at the Torre del Bellusguardo. As well as looking good all the year round, it will be almost completely labour-free.
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