The Dazzling Fluidity of Days

No medium has yet been devised for the translation of life into language, nor can any words recall the dazzling fluidity of days. Single yet fixed in sequence, they fall like the shaft of a cataract into time and through it.

Freya Stark - Beyond Euphrates

This is the strapmline of this Journal

Hampshire 45 Years Ago

Stocks and Harvestgate Farms below Old Winchester Hill

  

I grew up here. Nothing has changed in the more than forty years since this photo was taken in 1973

Ramesh Balsekar

Ramesh giving his daily talk in his house in Bombay, surrounded by pictures of his guru, Nisargadatta Maharaj

An inscription in one of Ramesh's books - a quotation from Chuang Zu that says all there is to say: "The wild geese do not intend to cast their reflection; the water has no mind to receive their image"

More Freya Stark

My grandmother as I knew her came into being-always a little of a problem, living with this relative or that, or in lodgings at the end of long tram or bus routes, in sitting-rooms of dark plush where all the pictures had heavy frames. Here, with small very wrinkled hands, and silk lace carefully and gently draped about her, she radiated her unchanging serenity and charm. She carried about her that best of atmospheres- a sense of amplitude of time. A whole series of episodes in my childhood show her peacefully reading, or dressing,or brushing the long dark hair that could reach her knees, while a babel of agitated voices urged departing carriages or trains. She always had a book in her hand and was never busy; she would put it down and her arms would open to enclose any human being, but particularly a child, who needed refuge there; for what she gave was affection pure and simple, deliberately free from wear and tear of understanding or advice. She did this because she believed in affection as the panacea for all the evils in the world, and the essence of this simple love has wound itself in my memory with her scent of eau-de -cologne, and her blonde lace, and the wide silk folds and bits of warm satin that made up the black friendly labyrinth of her gowns. There one nestled for hours while she told stories. The book of Genesis, myths of Greece, the Siegfried sagas, the Seven Kings of Rome, Tasso, Dante, Goethe, came to me in this good way, not arid noises from a mechanical cavern, or black and white deserts of print, but warm with the person of the teller, modulated with the inflections of a voice that meant safety and kindness, so that the childhood of the world merged with my own and lies there entranced in the same afternoon light that melted into twighlight and gradually dimmed the ivory face and left the voice almost alone to call up pageant after pageant, while one fondled the small hands, so soft and old, whose rings had taken the shape of the fingers and lost their lustre through more than half a century of wear.

Freya Stark

Wolfiewolf driving out of the City (of London) on 5th July 2006

Driving from The Minories though Trinity Square to Upper Thames St

Nisagadatta Maharaj - Excerpt from 'Pointers'

The mind creates the abyss; the heart crosses it

The highest truth can be found in the teachings of Nisagadatta Maharaj, a barely-educated tobacco-kiosk owner who died in Bombay in 1982. The classic book of his teachings is 'I Am That' transcribed and translated from his native Marathi by Maurice Frydman, as well as books about his teaching such as 'Pointers' by Ramesh Balsekar.

The dialogue, one evening, was started by a young Canadian, wearing a lunghi and a thin kurtha. He said that he was twenty-three, but looked barely out of his teens. He wore around his neck an elegant little silver cross on a dainty chain. He said that he had come across the book I Am That in a bookshop in Bombay a couple of days ago. A cursory glance at a few pages impelled in him a desire to meet Maharaj personally. He had already gone through the book reading almost continuously, through the afternoon, evening and night, and had finished both volumes only a few hours ago.

Maharaj: You are so young. I wonder since what age you have been interested in the spiritual quest?
Visitor: Sir, ever since I can remember I have been deeply interested in Love and God. And I strongly felt that they are not different. When I sit in meditation, I often.....
M: Wait a moment. What exactly do you mean by meditation?
V: I don't really know. All I do is sit cross-legged, close my eyes, and remain absolutely quiet. I find my body relaxing, almost melting away, and my mind or being or whatever, merging into space, and the thought process getting gradually suspended.
M: That's good. Please proceed.
V: Quite often, during meditation, an overwhelming feeling of ecstatic love arises in my heart together with an effusion of well-being. I do not know what it is. It was during one such spell that I felt inspired to visit India - and here I am.
M: How long will you be in Bombay?
V: I don't really know. I rarely make any plans. I have sufficient money to live frugally for about fifteen days, and I have my return ticket.
M: Now tell me, what is it exactly that you want to know? Do you have any specific questions?
V: I was a very confused man when I landed in Bombay. I felt i was almost going out of my mind. I really don't know what took me to the bookshop (Chetana in Rampart Row, where I Am That was for a long time uniquely available -HL) because I don't do much reading. The moment i
I picked up the first volume of I Am That, I experienced the same overpowering feeling that I get in meditation. As I went on reading the book a weight seemed to lift off within me, and, as I am sitting here before you, I feel as if I am talking to myself. And what I am saying to myself feels like blasphemy. I was convinced that love is God. But now I think that love is surely a concept and if love is a concept, God also must be a concept.
M: So what is wrong in it?
V: (Laughing) Now, if you put it like that, I have no feeling of guilt in transforming God into a concept.
M: Actually, you said that love is God. What do you mean by the word 'love'?. Do you mean love as the opposite of 'hate'? Or do you mean something else, although of course no word can be adequate to describe God?
V: No. No. By the word 'love' I certainly do not mean the opposite of 'hate'. What i mean is that love is abstaining from discrimination as 'me' and the 'other'.
M: In other words, unity of being?
V: Yes, indeed. What then is God to whom I am expected to pray?
M: Let us talk about prayer later. Now then, what exactly is this God you are talking about? Is he not the very consciousness - the sense of being that one has - because of which you are able to ask questions? I am itself is God. What is it that you love most? Is it not this 'I am', the conscious presence that you want to preserve at any cost? The seeking itself is God. In seeking you discover that 'you' are apart from this body-mind complex. If you were not conscious, would the world exist for you? Would there be any idea of God? And the consciousness in you and the consciousness in me - are they different? Are they not separate only as concepts, seeking unity unconceived, and is that not love?
V: Now I understand what is meant by 'God is nearer to me than I ma to myself'.
M: Also remember there can be no proof of Reality other then being it. Indeed, you are it, and have always been. Consciousness leaves with the end of the body (and is therefore time-bound) and with it leaves the duality which is the basis of consciousness and manifestation.
V: What then is prayer, and what is its purpose?
M: Prayer, as it is generally understood, is nothing but begging for something. Actually prayer means communion-uniting-Yoga.
V: Everything is so clear now, as if a great deal of rubbish has been suddenly thrown out of my system, blown out of existence.
M: Do you mean that you now seems to see everything clearly?
V: No. No! Not 'seem'. It is clear, so clear that I am amazed that it was not clear at any time. Various statements that i had read in the Bible, which seemed important but vague before, are now crystal clear - statements like: Before Abraham was, i am; I and my father are one; I am that I am.
M: Good. Now that you know what it is all about, what Sadhana will you do to to obtain liberation from your bondage?
V: Ah! Maharaj. Now you are surely making fun of me. Or are you testing me? Surely, now that I know and have realized that I am that - - I am, which I have always been ad which I shall always be. What is left to be done? Or, undone? And who is to do it? And for what purpose?
M: Excellent! Just be.
V: I shall, indeed.
Then, the young Canadian prostrated himself before Maharaj, his eyes brimming with tears of gratitude and joy. Maharaj asked him if he would be coming again, and the lad said: 'Honestly, I don't know'. When he had left, Maharaj sat for a ewhile with his eyes closed, the gentlest of smiles on his lips. The he said very softly: 'A rare one'; I could barely catch the words.
I never saw the young Canadian again, and have often wondered about him.

From 'Pointers From Nisagadatta Maharaj' by Ramesh Balsekar. Chetana Bombay 1982.

Stephen James' Retirement Party

Stephen's Retirement Parties at the City of London Club and International House
Click here for photos

Things we learn in time

As man advances through life, and begins to see things from a higher angle, then everything the world has agreed to call beauty loses much of its importance for him, as well as carnal pleasures and other trifles of that sort.

In the eyes of a clear-sighted and disillusioned man each season has its beauty, and it is not spring that is the most enchanting, nor winter the most evil. Henceforth beauty for him will not mean the promise of physical pleasure and happiness. It is Stendhal who says that beauty will henceforth be the form which promises the most kindliness, most loyalty in fulfilling one's side of the bargain, most honesty in keeping trust, most delicacy in intellectual perception. Ugliness will mean cruelty, avarice, falseness and stupidity. Many men do not know these things and only learn them later to their own cost. Just a few know them now, but each knows them for himself alone.


Beaudelaire

In similar vein, Coleridge:

Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the night thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles
Quietly shining to the quiet moon

The Story of the Fox

Herry often talks about this beautiful passage from Le Petit Prince as being part of his philosophy of life and of business, but it seems that not everyone knows it . Here it is!









'It was then that the fox appeared.

"Good morning," said the fox.
"Good morning," the little prince responded politely, although when he turned round he saw nothing.
"I am right here", the voice said, "under the apple tree."
"Who are you?" asked the little prince, and added "You are very pretty to look at."
"I am a fox," the fox said.
"Come and play with me" proposed the little prince. "I am so unhappy."
"I cannot play with you" the fox said. "I am not tamed."
"Ah! Please excuse me" said the little prince.
But, after some thought he added: "What does that mean, 'tame'?"
"You do not live here" said the fox. "What is it that you are looking for?"
"I am looking for men" said the little prince. "What does that mean,'tame'?"

"Men" said the fox. "They have guns, and they hunt. It is very disturbing.They also raise chickens. These are their only interests. Are you looking for chickens?"
"No" said the little prince. "I am looking for friends. What does that mean, 'tame'?"
"It is an act too often neglected" said the fox. "It means to form a bond."
"To form a bond?"
"Just that" said the fox. "To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other . To me, you will be unique in all the world....to you, I shall be unique in all the world..."
"I am beginning to understand" said the little prince. "There is a flower...I think she has tamed me..."
"It is possible" said the fox. "On earth, one sees all sorts of things."
"Oh, but this is not on the Earth!" said the little prince.
The fox seemed perplexed, and very curious.
"On another planet?"
"Yes."
"Are there hunters on that planet?"
"No."
"Ah, that is interesting! Are there chickens?"
"No."
"Nothing is perfect," sighed the fox. But he came back to his idea.
"My life is very monotonous" he said, "I hunt chickens; men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun came to shine on my life. I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the colour of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat..."

The fox gazed at the little prince for a long time. "Please, tame me!" he said.
"I want to, very much" the little prince replied. "But I have not much time. I have friends to discover, and a great many things to understand."
"One only understands the things one tames" said the fox. "Men have no more time to understand anything. They buy things all ready-made at the shops. But there is no shop anywhere where you can buy friendship, and so men have no friends any more. If you want a friend, tame me."
"What must I do, to tame you?" asked the little prince.
"You must be very patient" replied the fox. "First, you will sit down at a little distance from me - like that - in the grass. I shall look at you out of the corner of my eye, and you will say nothing. Words are the source of misunderstanding. But you will sit a little closer to me every day..."

The next day the little prince came back. "It would have been better to come back at the same hour" said the fox. "If, for example, you came at four o'clock in the afternoon, then at three o'clock I shall begin to to be happy. I shall feel happier and happier as the hour advances. At four o'clock, I shall already be worrying and jumping about. I shall show you how happy I am! But if you come at just any time, I shall never know at what hour my heart is to be ready to greet you... one must observe the proper rites...."
"What is a rite?" asked the little prince.
"Those are also actions too often neglected" said the fox. "They are what makes one day different from other days, one hour from another hour. There is a rite, for example, among my hunters. Every Thursday they dance with the village girls. So Thursday is a wonderful day for me. I can take a walk as far as the vineyards. But if the hunters danced at any time, every day would be like any other day, and I should never have any peace at all."

So the little prince tamed the fox. And when the hour of his departure drew near: "Ah," said the fox "I shall cry."
"It's your own fault" said the little prince. "I never wished you any sort of harm; but you wanted me to tame you..."
"Yes, that is so" said the fox.
"But now you are going to cry," said the little prince.
"Yes, that is so" said the fox.
"Then it has done you no good at all!"
"It has done me good" said the fox, "because of the colour of the wheat fields." And then he added: "Go and look again at the roses. You will understand now that yours is unique in all the world. Then come back to say goodbye to me, and I will make you the present of a secret."

The little prince went away, to look again at the roses. "You are not at all like my rose" he said. "As yet you are nothing. No one has tamed you, and you have tamed no one. You are like my fox when I first knew him. He was only a fox like a hundred thousand other foxes. But I have made him my friend, and now he is unique in all the world." And the roses were very embarassed.
"You are beautiful, but you are empty" he went on. "One could not die for you. To be sure, an ordinary passer-by would think that my rose looked just like you - the rose that belongs to me. But in herself alone she is more important than all the hundreds of you other roses; because it is she that I have watered; because it is she that I have put under the glass globe; because it is for her that I have killed the caterpillers (except the ones that we saved to become butterflies); because it is she that I have sheltered from the wind; because it is she that I have listened to when she grumbled, or boasted, or even sometimes when she said nothing. Because she is my rose."

And he went back to meet the fox. "Goodbye" he said.
"Goodbye" said the fox.
"And now here is my secret, a very simple secret: It is only with the heart that one can see clearly; what is essential is invisible to the eye."
"What is essential is invisible to the eye" the little prince repeated, so that he would be sure to remember.
"It is the time that you have spent for your rose that makes your rose so important."
"It is the time I have spent for my rose" said the little prince, so that he would be sure to remember.
"Men have forgotten this truth" said the fox. "But you must not forget it. You become responsible, forever, for what you have tamed. You are responsible for your rose..."
"I am responsible for my rose..."the little prince repeated, so that he would be sure to remember.'

Le Petit Prince
Antoine de Saint-Exupery

Herry's Office Retirement Photos

Colin Lewin, Tony Payne, Peregrine Massey, Hugo Wynn-Williams, Herry, Stephen James, Mark Holford, Luke Readman, Charles Fenton, Graham Daines. Absent: Nigel Carden, Francis Frost.

A retirement lunch at Millers with some of his colleagues. Herry had 13 retirement events in various cities around the world including

London (Office)
London (Trinity House)
Tokyo
Beijing